Yu-Chuan Tseng 曾鈺涓

email: t.yuchuan@gmail.com

Yu-Chuan Tseng

Digital artist, curator, and researcher. Ph.D. in Applied Arts from National Chiao Tung University, currently serving as a full professor at the Graduate Institute of Art and Technology, National Tsing Hua University. She is an executive committee member of Media Art Histories, a board member of the Tainan Art Museum, an executive committee member of ART TAIPEI, a supervisor of the Taiwan Digital Art Foundation, and the vice president of the Taiwan Association of Technology and Art. Since 1998, she has been engaged in digital art creation and began working in net art in 2002, exploring the state of human existence in the digital age. She has curated numerous exhibitions, held solo shows, and has been invited to exhibit at major museums, art centers, and galleries both in Taiwan and internationally. In 2003, her solo exhibition Let’s Make ART at the Taipei Fine Arts Museum was the first real-time interactive net art project presented in a museum in Taiwan. Her research focuses on digital art, internet art, and post-internet art, with articles published in domestic and international journals and conferences such as Leonardo, ACM Multimedia, and the International Symposium on Electronic Art (ISEA). Her curatorial themes primarily center on women’s art and digital art. In 2012, she participated in the Leonardo Journal’s International Digital Art White Paper initiative.

Selected Group Exhibitions(2019~)

2025, Polyphony at Ars Electronica Festival-PANIC – yes/no, POSTCITY Linz, Austria
2024, Drifting Banquet – Impossible Dialogues – Taiwan Pavilion at JOFFIS (Jogja International Photography Festival), Yogyakarta, Indonesia;
2024, Faceted: Debates on Contemporary Art, Tainan Art Museum, Tainan, Taiwan;
2024, Soaring in Techno-Wonderland, Taichung City Tun District Art Center, Taiwan;
2022, We/Women from Prehistory to HERstory, National Museum of Prehistory, Taiwan;
2022, Metabody in Kinesphere, National Taiwan Museum of Fine Arts, Taiwan;
2022, Fission – The Global Wave of Digital Art, Guizhou Provincial Museum, China;
2021, Ars Electronica 2021 Garden Hong Kong – Art in the Cloud, Osage Gallery;
2020, YOU ARE ME – Mapping New Geographies, Hsinchu City Art Gallery;
2019, Chimera – Taiwan Digital Art Group Exhibition, off-spaces of DOX, Center for Contemporary Art, Prague, Czech Republic;
2019, Urban Tribes I – Urban Caravan, TAAC Tribeca, E. Tay/R Gallery, and El Taller Art Center, New York.

Selected Curatorial Projects(2019~)

Always On (2023) and In the Digital Scene (2025) at 241 Art Space, Hsinchu;
Cyberhug (2018) and Autumn Glitter, Pond Water, Dancing Down Memory Lane (2021) at Taoyuan Art × Technology Art Festival;
Lost in the Net Dream (2018), Immortal on Screen (2019), and The 2022 Taiwan International Light Festival – The Play and Playing: Light and Shadow, Mediating Asia (2022, co-curated with Prof. Gunalan Nadarajan) at National Taiwan Museum of Fine Arts, Taichung;
Should We Play? (2018), It is SHOW Time (2019), and Light ON/OFF (2020) at Taipei Art District Festival.

Selected International Curatorial Projects

Being Here as ME – New Media Art Exhibition of Women Artists from Taiwan (2019) at American University Museum at the Katzen Arts Center, Washington, DC;
Chimera – Taiwan Digital Art Group Exhibition (2019) at off-spaces of DOX, Center for Contemporary Art, Prague, Czech Republic;
Chimera – Taiwan Digital Art Group Exhibition (2020) at Ladislav Sutnar Gallery, Czech Republic;
She Says, Her Story (2021) at International Arts & Artists, IA&A at Hillyer, Washington, DC.

數位藝術家，策展人與研究者。國立交通大學應用藝術研究所博士，目前任教於國立清華大學科技藝術研究所專任教授，現為國際媒體藝術史(MediaArtHistories)執行委員、台南美術館董事、台北國際藝術博覽會執行委員、台灣數位藝術基金會監事、台灣科技藝術學會副理事長。1998年開始從事數位藝術創作，2002開始網路藝術創作，思考數位時代中「人」的存在狀態。多次策畫展覽，舉辦個展，受邀參展於國內外重要美術館、藝術中心與畫廊。2003年台北市立美術館《Let’s Make ART》個展，是台灣第一個於美術館所進行網路及時互動創作。其研究方向為數位藝術與網路藝術，文章發表於國內外期刊與國際性研討會，如Leonardo國際期刊、ACM Multimedia、國際電子藝術研討會(ISEA)等。策展主題以女性藝術與數位藝術為主。2012參與Leonardo國際期刊之國際數位藝術白皮書撰寫計畫。

近期重要展覽選錄(2019~)：

2025《Polyphony》奧地利林茲電子藝術節（Ars Electronica Festival）

2024《漂流宴-不可能的對話-2024⽇惹攝影節(JOFFIS)臺灣館》於印尼日惹、《極度維面：臺南當代藝術之思辨》於台南市美術館、《藝翔奇境─科技跨藝特展》於台中屯區藝術中心；

2022 《我們/Women的歷史之前與之後》於國立臺灣史前文化博物館、《裂變-數字藝術的全球化浪潮》於中國贵州省博物馆、《2022藝術跨域策展案—動勢身形》於國立台灣美術館；

2021《Ars Electronica 2021 Garden Hong Kong- Art In The Cloud》

2020〈捉遊/戲場〉於國立台灣美術館、《YOU ARE ME─共譜新地域》於新竹美術館；

2019 〈奇米拉〉-台灣數位藝術聯展於捷克布拉格off-spaces of DOX, Center for Contemporary Art；紐約「都會部落Urban Tribes」於NYFA紐約藝術紐約基金會、TAAC Tribeca Art Space/R畫廊與El Taller 藝術中心。

重要策展選錄：(2019~)

《數位迷蹤-科技藝術展》(2025)、《上線中-網路藝術展》(2023)於新竹241 藝術空間；

台灣策展：《遺落在網夢裡》(2018)、《螢幕不滅》(2019) 、《光‧舞弄‧影—2022臺灣國際光影藝術節》(2022) 、《科技斡旋．亞洲觀點〉(2022)與Gunalan Nadarajan教授共同策展於國立台灣美術館；

《Should We Play? 》(2018)、《It’s SHOW Time》(2019)、《Light ON/OFF》(2020)於台北大內藝術特區。

國際策展：2019〈以【我】存有-台灣新媒體女性藝術家聯展〉於美國華府美利堅大學美術館、；2019-2010〈奇米拉〉-台灣數位藝術聯展於捷克布拉格off-spaces of DOX, Center for Contemporary Art。2021〈She Says, Her Story〉International Arts & Artists building, IA&A at Hillyer美國華府。